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Artist Profile

Gymshoes

Gymshoes

Gymshoes is an upbeat person who makes (mostly) uptempo electronic pop suitable for dancing in the streets, spinning in the living room, and backyard boogie. She will not be held responsible for any tickets you might get for dancing in your car. She lives in the Houston area with her husband and a very-mixed-breed rescue dogs. Before she got sucked into all this electronic music, she was a rock-n-roll girl, writing songs and playing guitar. After twisting all the knobs on her amp, and flipping every switch, she still can’t find the “on” switch for “rock star”. Fortunately, she can always find the “on” switch for her computer, which is a nice little studio for creating diggable digital Gymshoes music. When not making Gymshoes music she’s writing books under the name Ainy Rainwater.

Her author site—A Truant Disposition—features her aptly-named “Idleness” blog, which amongst its ramblings occasionally includes bits of fiction. http://truantdisposition.com She is also on Facebook, Twitter, and Instagram.

Gymshoes music was featured in the movie What It Takes, a documentary about triathletes competing in the Ironman triathlon. After hurricanes Katrina and Rita she released an EP of songs, A Tropical Depression, the profits of which go to benefit the American Red Cross.

Gymshoes music is available from most online stores.

3 E Ps Cover
  • 3 E Ps
  • Electronic, Pop
  • Gymshoes
  • 02/04/2009
  • 3 E Ps
Liner Notes: This album revisits selections from three early EPs. The tracks have been remixed, remastered, and reordered from the original tracking on the EPs. The effect of remixing is a fresher better sound without substantially changing the content of the tracks. Combining the tracks from three EPs, which were each thematically cohesive but different from each other, has resulted in an album which is more musically expansive than the original releases. For full liner notes please go to http://gymshoesmusic.com
  1. Warm Cinnamon
  2. Bangs And Shimmys
  3. Honey Dance
  4. Bladebeat (Victory Mix)
  5. Yes Delirious Joy
  6. Summer In The Sprawl
  7. The Final
  8. The Final (No Reason To Dance Mix)
  9. Rain Suite
Lost in the Mix Cover
  • Lost in the Mix
  • Electronic, Pop
  • Gymshoes
  • 05/07/2004
  • Lost in the Mix
Liner Notes: Why this isn't a dance album... When I set out in the summer of 2003 to make a dance album I had no idea what I was getting myself into. The very first thing that struck me as I began working on songs was just how very difficult it was. A good beat and a good sound was easy, but those two elements alone don't make a good song. Good dance music is both energetic and engaging. Bad dance music is boring and monotonous. I succeeded and I failed. I succeeded in making some good dance cuts, but I failed in making an "electronic dance album". Why? "Life is what happens while you're making other plans," as the saying goes. In the fall of 2003 my best friend's mother had another bout with cancer. They all spent a couple of weeks at the hospital. I did what I could; I made a disk of music. I thought some nice soothing ambient tracks would be just the thing, so I quickly put together some material. Now I had not one, but two albums started...one ambient, one dance...or did I? Oddly enough half the ambient musical sketches had rhythmic elements in them. Gradually some of the ambient material migrated into the Lost In The Mix project. I reinforced existing rhythms, but I didn't goose up the tempo on these songs. They retained the laid back sometimes dreamy feel of the original ambient material. You can't dance to them, but you can't sleep to them either. These tracks changed the balance and feel of the whole album, but they belong here because...well, that's life. Music reflects the ebb and flow of life. The ambient material was never about hospitals or family crisis; they were about other things...about wonderful places I could see in my mind's eye. The dance tracks are also about wonderful, joyful places in my mind's eye. I guess that's what binds all these songs into an album. Thematic joy. Joy in the face of everything. I hope you enjoy listening to this album as much as I enjoyed creating it. For full liner notes, please go to: http://gymshoesmusic.com
  1. Technodog
  2. Chocolate Umbrella
  3. B3 Boogie
  4. Zen Garden Groove
  5. Jellyfish In Captivity
  6. Imaginary Islands
  7. Mid-summer Night's Dance
  8. Uptown Shimmy
  9. Here Comes The Car Chase
  10. Neon Night Light
A Tropical Depression Cover
  • A Tropical Depression
  • Blues, Folk
  • Gymshoes
  • 04/21/2006
  • A Tropical Depression
Liner Notes: Most of this EP deals with the aftermath of Hurricanes Katrina and Rita, which hit the Louisiana and Texas Gulf Coast in 2005. Three are bluesy singer-songwriter pieces, two of those have Rick Ellis as guest vocalist. The final track, which I'll begin with below, is a piece of ambient music inspired by the Indian Ocean tsunami in December 2004. "Wave, Goodbye" I started working on this shortly after the tsunami, finishing it in record time just after the new year (2005). It has a lot of world music elements in it. I wasn’t too fussy about what I used; if it suited my ear and evoked what I wanted to evoke, I used it without worrying about its musical pedigree. I did, however, manage to work in some Bali gamelan, which is musically relevant since Indonesia was one of the places hit. The music overall is quiet and sad. The brief gamelan section which is about half-way through the piece seems to me to be an echo of happier times, a fleeting memory, in a time of catastrophe and grief. The images on TV were compelling and I’m sure they contributed greatly to this impressionistic soundscape I created. So many have lost so much. For those of you who know only my electronica these next three songs will be a surprise to you, but for those of you who have known me longer, these songs represent a return to what I’ve always done. Though I’ve been using Acid to make backing tracks for older songs with vocals, I have to admit I hadn’t been writing new songs—not for a number of years. I started some, but didn’t complete them. The hurricanes of ‘05 and their aftermath seized my dreams and tore through my soul. I couldn’t not write about this. "Whirlybirds" was the first of the new songs I wrote dealing with this subject. Interestingly, it was written before my own brush with Hurricane Rita. We evacuated ahead of Rita and stayed in a hotel with Katrina survivors. The title was born of the stray thought that after Hurricane Katrina the state bird for New Orleans should be changed to the “whirlybird”. Those “birds”–the Coast Guard’s helicopters–were the dominant image of New Orleans in the early days after the storm. This song was inspired by all those images of people being pulled off rooftops, men, women, children, someone clutching a small dog…the fear and weariness on their faces as they are loaded into those metal baskets that spun dizzingly beneath the helicoptors. Hundreds (?) of chopper missions for the Coast Guard. All day, every day, without a break because there seemed to be no end of people who needed to be rescued. All those aerial images of the city of New Orleans…all those houses and lives gone. The recurring lines “From whence come my help” and “I look to the skies” were unconsciously drawn from the King James version of various Psalms. There are a lot of biblical references to people looking up to the heavens for God to save them. In the old cosmology, God dwelt in the sky or on mountaintops. Those whirlybirds must have looked like angels to those people trapped on the rooftops. Help, indeed, came from the skies. The people who flew those whirlybirds and plucked survivors off the rooftops hourly, all day, over and over, are heros. Everyone who went into that city to do search and rescue work who brought food, water, and medical supplies are heros. Hurricane Katrina was not just a natural disaster; it was a tragedy on an epic scale. This song honors those who survived and those who saved them. I put together a backing track for it out of various digital files. The problem when it came to recording the vocal was that I don’t have a great voice. After two months of working on it off and on I wasn’t satisfied, but I didn’t think I could get the vocal much better. Because (until now) the songs on my website were digital music with no vocals, I’d managed to dodge the whole problem of not having stellar vocal skills. When thinking of who could sing this song better I immediately thought of my pal Buzzingstrings (Rick Ellis). I knew his voice would suit the song well and he agreed to give it a shot. He did a terrific job. Although I used only his voice on this track, he’s a good songwriter and musician. You can hear some of his own music on his website, Homegrown MP3s. My own hurricane experiences—and those of my friends and family—are incorporated in the song I wrote after Hurricane Rita in which I combined experiences of Katrina and Rita into one song, called appropriately Katrina-Rita. The lyrics touch on common experiences of people who evacuated and came home to devastation with no water, no electricity, and little food. We were lucky: Rita missed us. After the “Texadus” we returned home to find everything intact. But my hometown, Beaumont, was hit very hard; my family and friends who live there are still dealing with the destruction and repairs. It’s very sobering to look around the town and the old neighborhood when I go back. Six months later there are still houses uninhabitable, blue tarps on roofs, businesses too wrecked to reopen, debris on every curb, tree-cutting crews working along the streets, the sound of saws and hammers. The look of the town has changed forever because trees that had stood longer than most people can remember are gone. Houses sit stark and tattered amid the stumps. The lyric for "Katrina-Rita" could come off trite with that dee-dum rhythm, so I felt like I needed to get a good ‘n’ rough vocal to give it some weight. I deliberately did a very rough vocal on it. I got up one morning, hit the computer and sort of talked my way through it, making sure my voice was roughened in all the right places. I did 6 straight takes, each one better than the previous one before my voice started to warm up. By then I’d gotten what I needed for the song. "Hotel Me" This 12-bar blues tune is about all those Katrina evacuees living in hotels (now displaced from the hotels thanks to FEMA), many with nowhere to go. I started writing it back in the fall after spending a few days in a hotel with Katrina evacuees during my own Hurricane Rita evacuation. For four days I, too, was an evacuee living in a hotel, waiting to be told that it was safe to go home. I liked the evacuees I met at the hotel. They were good people, trying to get by in difficult circumstances. They were safe, warm and dry at the hotel. But they wanted to go home. For some that would be possible because there was something left to return to, but for others… I will remember these men, women and children, their dogs (who, like my dogs, thought it all a lark), their courage in adversity and their laughter echoing in the hotel lobby…I’ll remember them for the rest of my life. I don’t know where they all went when FEMA turned them out. I did what I could to help while I was there and even returned a month later, but now I can only hope they have found somewhere safe, clean and comfortable, some temporary home from which they can rebuild their lives and the lives of their children. I wrote this song not just for the people I met in that particular hotel, but for all those I saw on the news in the evenings, living in other hotels in other cities, people trying to find a permanent residence, trying to find a job, trying to hold their families together, struggling with the bureaucracy that at times made things more difficult, rather than easier, for people who had difficulties enough. After wailing my way through the vocal a few times (once with a cold) I decided to ask Buzz if he could do for “Hotel Me” what he did for “Whirlybirds”. Again, I am very grateful to Buzzingstrings (aka Rick Ellis, Homegrown MP3s) for his vocal work on this project. This was the last song for this project. I’ve got bits and pieces of more songs, but I wanted to release this music sooner rather than later—and to move on to other, happier, things. I realize that for the former residents of New Orleans moving on to “other, happier, things” is not so easy. Thank You’s: I want to thank my husband, Robert; my best friend, Mary; my “voice”, Buzz; my cyberfriend Luce who did rescue work in the aftermath of Katrina; my favorite rock star, Hal Ozsan, who took a moment to answer a couple of questions when I was putting this all together; and the people at the Drury Inn in Sugarland who opened their doors and arms to my husband and I–as well as our two dogs and three fish—at 4am during our attempted evacuation from Hurricane Rita. Thank you all. Dedication: This collection of songs is dedicated to the men, women, children and pets who survived Hurricane Season 2005, and the memory of those who didn’t. It is dedicated to the US Coast Guard and those who rendered immediate aid and service to the storm survivors. It is also dedicated to the survivors of the Indian Ocean tsunami and the memory of those who did not survive. Profits from the sale of these songs go to benefit the American Red Cross.
  1. Whirlybirds
  2. Katrina - Rita
  3. Hotel Me
  4. Wave, Goodbye
Sand in My Shoes Cover
  • Sand in My Shoes
  • Pop, Alternative
  • Gymshoes
  • 05/03/2010
  • Sand in My Shoes
Liner Notes: I wanted to do a bit of "summer music", something for fun sunny summer days. Block Party I wanted to evoke a feeling of a sunny high energy street scene, the potentiality of an impromptu jam, to create a piece with a naturalistic feel---and yet not be tied to live or acoustic elements. The Beach At Dawn What's more evocative of sunny summer days than the beach? The joyful rhythm melds with the quieter more peaceful elements of gulls, wind and surf (which I recorded on Galveston Island) to create a piece that (I hope) is both relaxing and energizing. Window Shopping I'm not a "shop 'til you drop" sort of person. Shopping is more of a necessity than a recreational activity (books and music excepted!), nevertheless I do enjoy window shopping, strolling along, looking in shop windows at the beautiful, creative, or sometimes downright bizarre displays. Flutterbye Butterfly This piece was created to be a soundtrack for a bit of video I shot at the Cockrell Butterfly Center some years back. I tried to reflect the speed and energy of the butterflies in the music, as well as the joyful, playful spirit of a morning at the Butterfly Center. A Piece Of Fiji This was originally released as a bonus track for A Tropical Depression and later moved to this project. It began back in November of '05 when I recorded the sound of bubbles in an aquarium, which sounded sort of musical to my ear. The more I listened to it, the more I felt like I wanted to build a piece of music around this sound. All the little digital bits were selected and edited specifically to complement the sound of the tiny air bubbles breaking the surface above the fish. For more info on Gymshoes, please visit http://gymshoesmusic.com
  1. Block Party
  2. The Beach At Dawn
  3. Flutterbye Butterfly
  4. A Piece Of Fiji
  5. Window Shopping